services
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Ideal for: branding, events, products, services, campaigns.
A great way to engage your target audience and even expand it to reach new followers. Effectively showcase and raise awareness towards your brand, product, service or event under 5 minutes.
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Ideal for: live shows, movies and product launches.
Two leading marketing tools for generating interest in upcoming releases, the trailer provides an overall preview of the work, while the teaser is a shorter, less revealing clip.
A combination of both is generally recommended, starting with the release of a few teasers to spark initial curiosity, followed by a more detailed trailer video closer to the piece’s premiere date.
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Ideal for: live shows, conferences, classes, workshops.
the most reliable way to review an event in detail, both for internal use and to showcase your work to partners, promoters, distributors, clients and hosts. Reach a wider audience than those who attended the event and keep its memory in the high quality it deserves.
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Ideal for: choreographers, dancers, dance collectives, venues.
A show for the camera: this genre is helpful to develop a dance career online and is a strongly creative format, as video directs the viewer’s gaze in a way that is not possible on a physical stage.
Perfect for showing as a stand-alone piece online, at film festivals or as a video installation in an artistic context.
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Ideal for: seminars, conferences, b2b, b2c, cultural projects.
The “Talking Head” model provides the viewer with a human and approachable figure who stands for the portrayed content. This helps to build trust for consumers, customers or visitors.
examples of interview videos:
Company culture
Employee testimonial
Training / Educational
Recruitment
Event recap, highlight or awareness (pre, during or post event)
Cultural (artists, curators, visitors)
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Ideal for: live shows, presentations, workshops.
Projecting image or text onto any flat surface in a room is a way to design a space without having to build complex physical structures. It is also suitable for displaying surtitles: translations and closed captions for the deaf and hard of hearing.
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Ideal for: portfolio; physical and online marketing; reproduction of 2D artwork; exhibition views.
More than telling a story, photography acts as a visit card to your brand, with a clear and instant message. It is printable too, making it widely applicable (books, flyers, posters, t-shirts, billboards).
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Ideal for: art or product exhibitions of all kinds.
promotional videos
TRAILERS AND TEASERS
dance clips
projection design &
2D video mapping
Full Event Documentation
interviews & talks
photography
exhibition views
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Filming 1-3 Cams
4K delivery
Horizontal and vertical formats
Video compatibility across online platforms
Live audio recording (field and/or from existing mixing table)
Recording in S-Log profiles for high-end colouring
Feedback-based editing workflow
Professional audiovisual guidance
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Preproduction (the earlier, the better) — phone call to establish goals and an action plan:
Clarify scope of project;
Determine budget;
Necessary equipment (how many cameras, tripod and or gimbal, etc);
Project calendar (filming dates and delivery deadlines);
Sharing of relevant materials (ex: previous recordings of the project, play script, images of the shoot location, etc).
Production — the shooting day:
Meeting up to 2 hours before the shoot to meet the team and start building up equipment
Deciding camera angles
Filming
Post-production (up to a month after shoot) — everything else:
Editing of video and audio (cutting, music sync, VFX, SFX, colouring, sound normalisation)
Review of rough cut (first draft to confirm direction of work)
Up to 2 rounds of corrections
Delivery of final cut
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The costs for creating a video vary highly depending on the duration and complexity of the intended results.
A simple, short promotional video filmed with one camera will usually cost a minimum of 550 CHF, whereas a documentation video of a one hour show with three cameras will sit at around 1400 CHF all inclusive.
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Every project is unique — so I tailor my pricing based on scope, complexity and nature of the project. It is important for me to work regularly with both funded cultural institutions as well as emerging artists and volunteer-led initiatives.
If you’re a nonprofit, a community-based project or a private cultural worker with limited resources, feel free to mention that when you get in touch — I do my best to find fair solutions for everyone.
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